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1: Sinfonia ("Sonata") a Cinque in g minor - Op. 2, No. 6
Adagio / Allegro (fugue) / Grave / Allegro
2: Concerto for Oboe & Strings in d minor - Op. 9, No. 2
Allegro e non Presto / Adagio / Allegro
3: Concerto a Cinque in B-flat Major - Op. 5, No. 1
Allegro moderato / Adagio / Allegro vivace
4: Concerto for Trumpet & Strings in D Major - Op. 7, No. 6
Allegro / Adagio / Allegro
5: Sinfonia ("Sonata") a Cinque in A Major - Op. 2, No. 3
Grave / Allegro / Adagio / Allegro
6: Concerto for 2 Oboes & Strings in C Major - Op. 9, No. 9
Allegro / Adagio / Allegro
7: Concerto a Cinque in C Major - Op. 5, No. 12
Allegro / Adagio / Presto / Adagio / Allegro
8: ADAGIO for Organ & Strings in g minor
Reconstructed by Remo GIAZOTTO
Total time 73:04
BACH 701
MASS in F Major, BWV 233
KYRIE:
1. Chorus
GLORIA:
2. Chorus
3. Bass Aria
4. Soprano Aria
5. Alto Aria
6. Chorus
MASS in a minor, BWV 234
KYRIE:
8. Chorus
GLORIA:
9. Chorus
10. Bass Aria
11. Soprano Aria
12. Alto Aria
13. Chorus
Total time 70:21
BACH 702
MASS in g minor, BWV 235
KYRIE:
1. Chorus
GLORIA:
2. Chorus
3. Bass Aria
4. Alto Aria
5. Tenor Aria
6. Chorus
MASS in G Major, BWV 236
KYRIE:
8. Chorus
GLORIA:
9. Chorus
10. Bass Ariav
11. Soprano Aria
12. Tenor Aria
13. Chorus
Total time 69:03
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BACH 704
Harpsichord Partitas 1-3,
BWV 825-7
Derek Adlam,
Feldberg Harpsichord
Partita 1 in B flat Major, BWV 825
Praeludium – Allemande – Corrente – Sarabande
Menuet I – Menuet II – Giga
Partita 2 in c minor, BWV 826
SINFONIA (Grave Adagio – Andante – Allegro)
Allemande – Courante – Sarabande – Rondeaux – Capriccio
Partita 3 in a minor, BWV 827
Fantasia – Allemande – Corrente – Sarabande
Burlesca – Scherzo – Gigue
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BACH 705
Harpsichord Partitas 4-6,
BWV 828-30
Derek Adlam,
Feldberg Harpsichord
Partita 4 in D Major, BWV 828
Ouverture – Allemande – Courante – Aria
– Sarabande – Menuet – Gigue
Partita 5 in G Major, BWV 829
Praeambulum – Allemande – Corrente
– Sarabande – Tempo di Minuetto – Passepied – Gigue
Partita 6 in e minor, BWV 830
Toccata – Allemande – Corrente – Air
– Sarabande – Tempo di Gavotta – Gigue
1: Enrico ALBICASTRO (c.1670-1738): Concerto à 4 in B-flat Major, Op. 7, No. 6
Grave-Allegro-Adagio-Grave-Allegro-Grave / Allegro / Grave e spirituoso-Adagio / Allegro
2: Enrico ALBICASTRO: Concerto à 4 in b minor, Op. 7, No. 7
Affettuoso-Allegro-Adagio-Spirituoso / Allegro / Grave Allegro-Da capella-Allegro
Carl Pini and John Tunnell, Violins / Anthony Pini, Cello / Harold Lester, Harpsichord.
ORCHESTRA of the ACCADEMIA MONTEVERDIANA, Denis STEVENS, Artistic Director
3: William BOYCE (1711-1779): Concerto Grosso for Strings in e minor
Largo / Allegro / Siciliana /Allegro
4: Robert WOODCOCK (1690-1728): Concerto in E-flat Major for Oboe & Strings
Adagio / Allegro / Largo / Vivace
5: Jan Dismas ZELENKA (1679-1745): Capriccio I in D Major, ZWV 182
Andante-Allegro / Paysan / Aria / Bourrée / Minuetto
6: Georg Philipp TELEMANN (1681-1767): Oboe Concerto in c minor
Grave / Allegro / Andante / Vivace
THE LONDON BAROQUE ORCHESTRA - Conductor: Alexander Hamilton - Richard Earle, Oboe
7: J.S. BACH (1685-1750): Fantasy & Fugue in a minor, BWV 904
“Pro Arte” ORCHESTRA of MUNICH - Kurt REDEL
Total time 75:36
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DIDERIK BUXTEHUDE (1637-1707)
Prelude & Fugue in a-minor, BuxWV 153
Passacaglia in d-minor (Dorian), BuxWV 161
Prelude, Fugue & Chaconne in C Major, BuxWV 137
Prelude & Fugue in g-minor, BuxWV 149
Ciacona in e-minor, BuxWV 160
Prelude & Fugue in f-sharp-minor, BuxWV 146
Lionel Rogg, Wittmayer pedal-harpsichord
JOHANN SEBASTIAN BACH (1685-1750)
Prelude & Fugue in A Major, BWV 536
Fugue in b-minor, BWV 579
Prelude & Fugue in d-minor, BWV 539
Trio in d-minor, BWV 583
Prelude & Fugue in C Major, BWV 547
Lionel Rogg, Feldberg pedal-harpsichord
Total Time: 69:12
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Disc 1- BACH 760
Die Kunst der Fuge - Art of the Fugue BWV 1080
1. Contrapunctus 1
2. Contrapunctus 2
3. Contrapunctus 3
4. Contrapunctus 4
5. Contrapunctus 5
6. Contrapunctus 6, a 4 im Stile francese
7. Contrapunctus 7, a 4 per Augmentationem
et Diminutionem
8. Contrapunctus 8, a 3
9. Contrapunctus 9, a 4, all Duodecima
10. Contrapunctus 10, a 4, alla Decima
11. Contrapunctus 11, a 4
12. Contrapunctus 12, a 4 (rectus)
13. Contrapunctus 12, a 4 (inversus)
14. Contrapunctus 13, a 3 (rectus)
15. Contrapunctus 13, a 3 (inversus)
16. Contrapunctus 14, a 4
Total Time: 76:27
Disc 2 - BACH 761
Art of the Fugue continued
1. Canon per Augmentationem in contrario motu
2. Canon alla Ottava
3. Canon alla Decima, Contrapuncto alla Terza
4. Canon alla Duodecima in Contrapuncto alla Quinta
5. Fuga a 3 Soggetti (incomplete)
Musikalisches Opfer - Musical Offering BWV 1079
6. Trio Sonata for flute, violin, cello & harpsichord
Largo – Allegro – Andante – Allegro
7. Three-part Ricercare – pedal-harpsichord
8. Five Canons on the Royal Theme
Canon a 2 super Thema Regium
Canon a 2 Per motum contrarium – in contrary motion
Canon perpetuus super Thema Regium
Canon a due Violini in unisono
Fuga Canonica in Epidiapente
9. Five Canons on variations of the Royal Theme Canon a 2 Per Tonos
Canon a 2 Per augmentationem, contrario motu
Canon Perpetuus – for flute, violin & continuo
Canon a 2 "Quaerendo invenietis"
Canon a 4
10. Six-part Ricercare – pedal-harpsichord
Total Time: 79:14
BACH 707
BACH in WEIMAR
Works for Organ
and Pedal-harpsichord
Nicholas Danby, Martin Neary,
Feldberg pedal-harpsichord
and Frobenius organ, 1965,
Queen's College Oxford.
With Herbert Manfred Hoffmann,
Stumm organ 1783, Amorbach.
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Total time 75:15
1. Toccata & Fugue in d minor, BWV 565
Nicholas Danby, Pedal-harpsichord
2. Fugue in b minor, BWV 579 on a theme of Corelli
Martin Neary, Frobenius organ
3. Concerto in G Major, BWV 592, after Johann Ernst
(Presto) - Grave - Presto
Martin Neary, Pedal-harpsichord
4. Concerto in C Major, BWV 594, after Vivaldi Op 7/5
(Allegro) - Adagio - Allegro-Solo
Martin Neary, Frobenius Organ
5. Concerto in C Major, BWV 595, after Johann Ernst
Martin Neary, Pedal-harpsichord
6. Concerto in d minor, BWV 596, after Vivaldi Op3/11
(Allegro) - Grave - Fuga - Finale
Herbert Manfred Hoffmann, Stumm organ 1783, Amorbach
7. Fugue in c minor, BWV 574 on a theme of Legrenzi
Martin Neary, Pedal-harpsichord
8. Concerto in E flat Major, BWV 597
(Presto) - Gigue
Martin Neary, Frobenius Organ
1. Contrapunctus 1
2. Contrapunctus 2
3. Contrapunctus 3
4. Contrapunctus 4
5. Contrapunctus 5
6. Contrapunctus 6, a 4 im Stile francese
7. Contrapunctus 7, a 4 per Augmentationem
et Diminutionem
8. Contrapunctus 8, a 3
9. Contrapunctus 9, a 4, all Duodecima
10. Contrapunctus 10, a 4, alla Decima
11. Contrapunctus 11, a 4
12. Contrapunctus 12, a 4 (rectus)
13. Contrapunctus 12, a 4 (inversus)
14. Contrapunctus 13, a 3 (rectus)
15. Contrapunctus 13, a 3 (inversus)
16. Contrapunctus 14, a 4
Total Time: 76:27
Disc 2 - BACH 761
Art of the Fugue continued
1. Canon per Augmentationem in contrario motu
2. Canon alla Ottava
3. Canon alla Decima, Contrapuncto alla Terza
4. Canon alla Duodecima in Contrapuncto alla Quinta
5. Fuga a 3 Soggetti (incomplete)
Musikalisches Opfer - Musical Offering BWV 1079
6. Trio Sonata for flute, violin, cello & harpsichord
Largo – Allegro – Andante – Allegro
7. Three-part Ricercare – pedal-harpsichord
8. Five Canons on the Royal Theme
Canon a 2 super Thema Regium
Canon a 2 Per motum contrarium – in contrary motion
Canon perpetuus super Thema Regium
Canon a due Violini in unisono
Fuga Canonica in Epidiapente
9. Five Canons on variations of the Royal Theme Canon a 2 Per Tonos
Canon a 2 Per augmentationem, contrario motu
Canon Perpetuus – for flute, violin & continuo
Canon a 2 "Quaerendo invenietis"
Canon a 4
10. Six-part Ricercare – pedal-harpsichord
Total Time: 79:14
BACH 707
BACH in WEIMAR
Works for Organ
and Pedal-harpsichord
Nicholas Danby, Martin Neary,
Feldberg pedal-harpsichord
and Frobenius organ, 1965,
Queen's College Oxford.
With Herbert Manfred Hoffmann,
Stumm organ 1783, Amorbach.
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Total time 75:15
1. Toccata & Fugue in d minor, BWV 565
Nicholas Danby, Pedal-harpsichord
2. Fugue in b minor, BWV 579 on a theme of Corelli
Martin Neary, Frobenius organ
3. Concerto in G Major, BWV 592, after Johann Ernst
(Presto) - Grave - Presto
Martin Neary, Pedal-harpsichord
4. Concerto in C Major, BWV 594, after Vivaldi Op 7/5
(Allegro) - Adagio - Allegro-Solo
Martin Neary, Frobenius Organ
5. Concerto in C Major, BWV 595, after Johann Ernst
Martin Neary, Pedal-harpsichord
6. Concerto in d minor, BWV 596, after Vivaldi Op3/11
(Allegro) - Grave - Fuga - Finale
Herbert Manfred Hoffmann, Stumm organ 1783, Amorbach
7. Fugue in c minor, BWV 574 on a theme of Legrenzi
Martin Neary, Pedal-harpsichord
8. Concerto in E flat Major, BWV 597
(Presto) - Gigue
Martin Neary, Frobenius Organ